Exposure Winners
The Art Effect is proud to announce this year’s Exposure High School Photography Competition winners. Students from across the nation and overseas, submitted digital and traditional photographic works. Professional photographer, Eric Lindbloom reviewed the more than 478 individual entries, selecting 71 for the final exhibition and the 6 winners. Best of Show was awarded to Belle Ray for her piece “Falling in Line”. As part of her award she will receive a Full-tuition Scholarship to the Summer Art Intensive of The Art Effect’s Art Institute. 1st Place and a $1500 scholarship to Maryland Institute College of Art’s Pre-college Summer Program, was awarded to Lawrence High School junior, Jazzmine Brown for her work “String Me Down”. 2nd Place went to Ramiro Vargas for his photograph “Embrace”. 3rd Place was awarded to Taylor Ann Healey for her work entitled “Fish”. Honorable Mentions were awarded to Cora Griffin for “Ocean of Plastic” and Mia Comparato for “My Lanes”. In addition, all students winners received cash awards and certificates of achievement. The Exposure exhibition will be on display at 45 Pershing Ave, Poughkeepsie, NY, through June 14, 2018. Gallery hours are Monday-Friday, 9am-5pm. Come see the incredible work of these young artists and support the power of The Art Effect.After Hours Kickoff
Thank you to all who joined us for our first ever After Hours event at the Poughkeepsie Underwear Factory. It was a special evening for us, and we hope everyone enjoyed the fabulous food and drink vendors that provided us with a delicious experience!By attending this event, Art Effectors supported our growth by providing us with resources to continue to help young change young people’s lives through the arts.
We exceeded our fundraising goal for the evening and those resources are crucial to support The Art Effect’s youth programs!
Stay tuned for our upcoming After Hours event!
A special thanks to our students for allowing us to present clips from their films:
“Normal” by Matthew Hamilton
“Nirvana” by Tariq Gordon
“Individuation 8” by Max Von Der Horst
Not shown: “Untitled Horror Film” by Emma McCabe
Thank you to our event sponsors, Queen City Lofts and Rondout Savings Bank, as well as last evening’s vendors:
Nostrano Vineyards Salt Point Meadery 2 Way Brewing Tied House, Inc. Hudson Ale Works Blessed Brewery Earth Wind Fuego My Brother Bobby’s Salsa Inner Flame Kitchen The Educated Chef Tacos Los Ortiz
Interested in becoming a sponsor? Visit our Sponsorships page or call Corene Concepcion-Rivera, Community Relations Associate at 845-471-7477 or email corene@thearteffect.org."Sassy Chef" Delights Audiences
The Art Effect is proud to present a unique film produced in collaboration with the Arc of Dutchess that premiered at its signature event, An Evening of Discovery, on March 29, 2018. Written, produced, and cast by people of all abilities from the Arc of Dutchess, “Sassy Chef” delighted the audience on March 29th and demonstrates the empowerment and skill development that occurs in The Art Effect’s Forge Media production apprenticeship program. The film is engaging, funny, and suspenseful — and the “Behind the Scenes” is not to be missed! The film is being held exclusively while it is submitted to several film festivals. In the meantime, you can check out the trailer HERE and coverage of the premiere (complete with red carpet!) by Hudson Valley News Network HERE.Highlights of Remix NYC 2018
By Mary Ellen Iatropoulos, Paul Thompson, David Wong, and Sarah Taylor A few lucky Art Effect staff recently had the opportunity to attend the Remix NYC Summit on Culture, Creativity and Technology, thanks to support from Wave Farm and NYSCA. Two days packed full of thought-provoking speakers, stimulating conversations with colleagues old and new, and some of the coolest venue spaces NYC has to offer. Several recurring themes from across the conference struck us and stuck with us, and we thought we’d share them with you all. CONSTANT BETA During her presentation, Julia Kaganskiy, Director of New Inc (New Museum’s art & tech incubator) mentioned the phrase “constant beta,” and it really resonated. Being in a state of constant beta means approaching your work as in development, in a constant state of testing things out and evaluating how well implementation went with an eye towards making changes for improvement next time. In an age of constant change where technology evolves on a daily basis, such flexibility and adaptability is crucial to keeping competitive. Using the same business model year in, year out will no longer hold the same promise of security. Instead, embracing “constant beta” means entering a mutually beneficial adaptive relationship with customers or clients, where supply changes in response to demand. So much is changing and being reshaped, we have to embrace being in constant beta in order to survive and thrive. CREATIVE DISRUPTION Another recurring theme was the idea of “creative disruption,” or the idea that in order to truly innovate, you need to stop your habits (or years-old strategies) and insert some totally new method, idea, or approach into things, in order to break free of the confines of routine and find views and vantage points you just couldn’t see while you were keeping your head down. The Art Effect endeavors to be as innovative as possible, but innovation means change and evolution, so if there are things we’ve been doing the same old way for years and years, if we want to be innovative, we’ve got to rethink things and disrupt ourselves to see how innovations would help us improve. We witnessed dozens of examples of truly innovative work, some of which is being done by The Lowline, an organization using NASA technology to harness the power of the sun and bring rays of sunshine underground to create parks out of abandoned subterranean spaces. STORYTELLING AND PAIN POINTS Another issue repeatedly addressed by speakers and conference-goers alike? The centrality of storytelling to all creative enterprises, whether they be commercial or non-profit. People aren’t drawn to facts and figures, we learned, so much as they are drawn to stories. And within the stories, if an entrepreneur is truly listening, one can discover new opportunities by paying attention to “pain points.” For example, this is Winston: Winston lives near the Barclay Center in Brooklyn, and heard dozens of concert-goers describe how inconvenient and annoying it was that Barclay required paper printouts of tickets to scan. For someone visiting from out of town, this requirement could mean doubling back and re-traveling miles and miles to find a printer. Hearing about this “pain point” over and over, it occurred to Winston that there was an opportunity there. He began bringing a portable printer and standing near the admissions line at Barclay, offering to print people’s tickets out for them… for a price. It’s this kind of responsiveness to people’s stories, this method of really listening and identifying the parts of the story involving inconvenience and annoyance, that enables people like Winston to capitalize on opportunities others may not see. WHO CARES? SO WHAT? Ultimately, The Art Effect staff came away from Remix NYC with a renewed sense of optimism about our own work, how to invigorate our staff and inspire our students while integrating truly innovative forms of creative entrepreneurship into all of our programs, as well as the importance of grasping the story of our work and why our work matters. Emily Best of Seed & Spark told an anecdote during her presentation on Thursday about her moment of revelation when she told her father all about the exciting work she was doing, only to hear her father respond “so you’re changing the world… so what? Who cares?” The line got a hearty laugh from the audience, possibly become the room was full of folks so close to the cutting edge that the meaning or mission of their work isn’t always immediately apparent or accessible, or at the very least difficult to communicate to the average person. And that was Emily Best’s point exactly: while we’re doing all of this incredible work, if we want our messages to reach people it’s extremely important to parlay our innovations into terms and stories easily understood by those we’re trying to reach. We have to understand what we actually mean when we say we’re doing good work and changing the world, and we’ve got to be ready to respond in case someone asks us “so what?” For The Art Effect, the “so what?” is straightforward—particularly after attending Remix NYC. Arts empower communities, and we help facilitate that growth and transformation. Our programs offer youth skills practice, arts exploration, and college/career opportunities they otherwise may not have gotten, and to the students we serve, it makes all the difference in the world. We’re so glad and grateful we got to be a part of such an incredible few days, and we can’t wait to bring what we’ve learned back into our organizational practices. Innovation, here we come!Catching Up With Caleb Wild
Catching Up With Caleb Wild, Last Year’s Reel Expressions Winner It’s safe to say that Caleb Wild thoroughly wowed the audience at last year’s Reel Expressions International Teen Film Festival with his breathtaking and raw film “Cycle,” which took home the first place prize and the Golden Sparky. The film, which also won the Golden Gate Award at the San Francisco International Film Festival, “Best Drama” at the 2017 All-American High School Film Festival, and Best Overall Film at the Scout Film Festival deals with cycles of addiction and explores the things we pass on to future generations. Inspired by his mother, who is a social worker, Caleb’s film examines the story of a young man about to age out of foster care through his relationship with his estranged father. We sat down with Caleb to chat about his film, artistic process, and submission to the Reel Expressions International Teen Film Festival. Check out Caleb’s advice for emerging filmmakers new to the film festival circuit! The Art Effect (TAE): How did you get started in filmmaking? Caleb Wild: I started out trying to become an actor (Tampa isn’t a big film community). I signed with an agency and did some commercials, but was more interested in the overall creativity of production. When I was 16, I entered a school video contest and won with this little film I made. That’s when I knew I wanted to tell visual stories. TAE: How did you learn filmmaking? CW: I learned and still very much am learning on my own, which has been a blessing and a curse. It‘s forced me to really focus on narrative within my films because I’ve never had the resources to pull off anything bigger than what me and few friends could provide. Watching movies has really been my main education. I was always drawn to the emotion of films at an early age like “Warrior” and “Place Beyond the Pines.” I ultimately learned by trial and error, and I’m still kind of doing that. TAE: What kind of films do you create? CW: I try to create human, engaging dramas. I’m always attempting to make films that pack an emotional and intellectual punch! Stuff that really satisfies and brings a hopeful message to the audience. TAE: Tell me about the film you chose to submit to last year’s Reel Expressions Festival. CW: It’s a film about legacy and what we pass on. My mom works with foster kids and I’ve heard a lot over the years about the realities children and their families face. So I wanted to tell a story around that, but really focus on the human side of the father/son relationship and themes about generational impact. TAE: Why should young filmmakers submit to RE? CW: Because it’s an amazing festival! The opportunities are endless to connect with others and have them see your work, and these film festivals provide that exposure. When I first started submitting, I only got into a couple out of ten and I was kind of devastated. And even though I didn’t get into the first couple, it opened doors for people to see my work. And Reel Expressions had a $500 prize, so I made decent money that I could pour into my next project, which is amazing! TAE: What advice would you give someone submitting to a film festival for the first time? CW: Don’t worry about the money, the camera, the logistics. Reach down into your soul and tell a story from that place, and I promise you will find an audience. I’m still learning everyday to try to do that. And if you fail, like I did, just keep going. Persistence is key – that’s one truth I’m discovering. TAE: What’s next for you? CW: I just finished a thriller short film that was shot over six days in the summer. It was a bit of a mess. I learned from my mistakes big time. Now I’m working on a documentary, feature length script, some short films, and an upcoming A24 project as a screenplay researcher. TAE: Thanks for your time, Caleb! We look forward to seeing your next film and wish you success on the film festival circuit. Aspiring teen filmmakers, it’s not too late to follow in Caleb’s footsteps! To submit to Reel Expressions click here. To learn more about submitting from last year’s filmmakers, click here.We’re Listening…For Good
We’re Listening…For Good: The Art Effect Receives $45,000 National Grant
The Art Effect is proud to announce receipt of a $45,000 Listen For Good grant from the Fund for Shared Insight. The Art Effect will use these funds to help gather vital information from the people we serve to better design our programs for maximum impact.The Community Foundations of the Hudson Valley served as nominating partner, directing $15,000 from the Leslie C. and Irene G. Roe Fund to support the program. With funding and technical assistance from the Fund for Shared Insight, The Art Effect will embark on a two-year listening process to gain valuable feedback from program participants across the Hudson Valley to establish a complete feedback loop that honors constituents’ voices as part of our evaluation and decision-making process. We need your input! If you are a past program participant (or parent of a program participant) in our Dutchess Arts Camp, Art Institute, DROP TV/Media Magic, and/or Project A.B.L.E./Habilidad Programs, please take this brief survey. Five minutes is all it takes to help build The Art Effect of your dreams! We look forward to sharing the insights we gather in the next two years. Stay tuned!The Powerful Effect of Teen Art
Experiencing Teen Visions ‘18 – The Powerful Effect of Teen Art
On Thursday, Jan. 11, we invited volunteers, supporters, and donors to attend a sneak peek reception of our annual Teen Visions show — an exhibition of more than 60 paintings, drawings, and photographs created by participants in The Art Effect’s 2017 Art Institute Summer Intensive. More than thirty people came to this exclusive event. For a glimpse into what it was like, we’re pleased to share with you the experience of two of our longtime supporters: David Bloom and Roger Connor. It is hard to believe that twenty one years have gone by since Todd Poteet explained his vision for the Art Institute to Carole Wolf and me at a corner table in the Palace Diner. Todd’s vision for the Art Institute has come to fruition in every way! The January 11th Teen Visions Preview Show once again showcased the brilliant work and compelling teaching of the Art Institute. There was excitement in the air as our Executive Director Nicole Fenichel-Hewitt welcomed supporters, community leaders, and alumni to view the exhibit of sixty paintings, photographs and drawings. For long time supporters like myself, the Preview Show offered an opportunity to deepen our understanding and celebrate the excellence of the Art Institute. A pebble dropped into a glass of water at the diner in 1997 continues to send ripples across the country and beyond. To long time and new supporters, thank you for your support as we continue to grow. I’m looking at the Teen Visions ‘18 exhibition and I am in awe. In this hand-painted collage of the American flag, the rubble of the Twin Towers and faces of 9/11 victims, there is the head and shoulders of a 1st responder. He has a big, chiseled jaw and hard eyes under a low brow. It is the image of a man who has lived a hard, physical life. Through the single line of his mouth, this man’s emotions come out to me. Though he carried the burden of a life of giving, there is a satisfaction and pride in his face. It fills me with pride, too. I’m proud of my cousins and uncles and friends who chose the same path in life. And I’m in awe that a teenager, just starting out in life, could capture such emotion with a paint brush – and transfer that emotion to me. That’s why I appreciate art. When a piece of art sets off a sudden burst of emotion in my brain – whether it’s pride or anger or sadness or love, I’m in appreciation, and awe, of the artist’s work and how it affects me. Art produced by young people will still have the rough edges of a student learning techniques and style, but the emotion evoked from their work can be truly awe inspiring. The Art Institute is currently accepting registrations to participate in this year’s Summer Art Intensive. For your chance to see your work showcased in next year’s “Teen Visions” in 2019, be sure to sign up now.Calling all Teen Filmmakers
Calling all Teen Filmmakers: Reel Expressions Call for Entries is Open! The Art Effect is currently accepting entries of short films of all genres made by teens (ages 13-19) for the 2018 Reel Expressions International Teen Film Festival, to be held on June 15, 2018 at the Bardavon Opera House in Poughkeepsie, NY. The grand prize winner will receive an award and a cash prize of $500; awards will also be given for second runner-up and first runner-up. Don’t miss out! This year’s submission deadline is Sunday, April 15 at 5 pm. Requirements for Entry:- Films must be submitted electronically to filmfreeway.com/REFF. All submitted films must meet the following guidelines:
- Film must be no longer than 10 minutes.
- Film must be acceptable for a PG 13 Audience.
- Filmmakers need to be 13 to 19 years of age at the time of production to enter.
- Adults can be used as actors, but should not be involved in film production.